Contemporary Art with a Rock n'Roll edge!

Shepard Fairey - Bad Reputation - OBEY (Framed)


“Change will not come if we wait for some other person or some other time. We are the ones we've been waiting for. We are the change that we seek.” - Barack Obama
  • 2019
  • 2 Colour Screenprint on cream speckle tone paper
  • Edition of 350
  • Signed, dated and numbered
  • 77cm x 61cm (Framed)
  • Framed in a black box frame, float mounted on a black background

My Obey “Bad Reputation” print is inspired by music graphics, especially punk and new wave album sleeves, t-shirts, and flyers. I love the Xerox machine with spot color approach to a lot of those graphics that married the rough and crude side of financial and artistic limitations with an intuitive and clever ability to craft subversive, eye-catching images. Some of the edges of this imagery and text are intentionally rough and imperfect… if slick and clean are your bag, you might want to skip this one baby! See if you can spot the references to musicians like the New York Dolls, Generation X, the Misfits, and the easy one… Joan Jett. If you DON’T know those musicians, you can thank me for opening a door for you, and in turn I say “thank you” to everyone who has opened my ears and eyes! – Shepard



Shepard Fairey is an American graphic artist and social activist. Part of the Street Art movement, with Keith Haring and Jean-Michel Basquiat as his predecessors, Fairey communicates his brand of social and political critique via murals and public spaces. "I've never really considered myself just a street artist," he has said. "I consider myself a populist." Born 1970 in Charleston, South Carolina, Fairey studied art in California, where he got into the 1980s skateboard culture and its associated street art scene. Fairey borrows from graphic styles of the 20th century, blurring the boundary between high and commercial art through type and image.

His iconic Hope (2008) portrait for then-presidential candidate Barack Obama is perhaps his most well-known work, in addition to his Obey sticker campaign, which started while Fairey was enrolled at the Rhode Island School of Design in the early 90s. The notion of ‘Obey’ came from the iconic John Carpenter film ‘They Live’ - a sci-fi message of anti-capitalism and media brainwashing, combined with a stencil version of Andre the Giant’s face (a famous WWF wrestler in the 1980s) which was an image Fairey had used previously. Since then, the ‘Obey’ message has slowly become a worldwide phenomena, with clothing, paste-ups, graffiti and prints all bearing the anti-brand.

Through the 1990s, Fairey worked in graphic design,working with companies who specialised in screen printing, stickers and guerrilla marketing , which allowed him to not only promote his street art, but use his experience in the urban art scene to market new brands. By the early 2000s, Fairey had set up his own design agency with his wife - and went on to produce artwork for such bands as The Black Eyed Peas, Anthrax, Flogging Molly, Led Zeppelin, Smashing Pumpkins, Queens of the Stone Age, Henry Rollins and most recently, Blondie. Music features in much of Fairey’s work, especially punk bands such as the Sex Pistols and The Ramones (The Sex Pistols artist Jamie Reid being a particularly large influence on Fairey and they have since collaborated on anti-capitalist art works), classic Hip-Hop icons such as Tupac and Chuck D and even metal bands like Black Sabbath. Fairly has even taken this connection a step further by introducing his own art-pop band Noise in 2016.

His work is included in the collections of the Smithsonian, Washington D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum, London and his work has appeared on the cover of Time magazine twice. He currently lives and works in Los Angeles.

Collections: Shepard Fairey